Chicken Pickin

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Page PREFACE CHAPTER 1: SCALES Major Pentatonic CountryPentatonic DominantPentatonic Rootless Mixolydian #2 StringSkipping I Audio Tracks 4 5 1 8 9 l0 t-1 5-6 7-8 9 -l 0 rt-t2 t3-27 28 I i CHAPTER 2: BENDING VariousExamples PlayingthroughChord Changes CHAPTER 3: OPEN.STRING LICKS G Major Scale Key of E Key of A Key of D Key of G Key of C Key of B PlayingthroughChord Changes CHAPTER 4: DOUBLE.STOP LICKS Harmonizingin Thirds Harmonizingin Fourths in Harmonizing Fifths Harmonizing Sixths i
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  I I i PageAudioTrackst-15-67-89-0 rt-t2 t3-27282930-3133-3435-3637-3839-401l42-1314.+546 1'7+t -18 -+950-55253-606r-63 61-6566-68691071t2-741516-ll18-99PREFACECHAPTER1:SCALESMajor PentatonicCountryPentatonicRootlessDominantPentatonicMixolydian#2StringSkippingCHAPTER2: BENDINGVariousExamplesPlayinghroughChordChangesCHAPTER3: OPEN.STRINGLICKSGMajor ScaleKey ofEKey of AKeyofDKey of GKey of CKey of BPlaying hroughChordChangesCHAPTER4: DOUBLE.STOP LICKSHarmonizingnThirdsHarmonizing n FourthsHarmonizingn FifthsHarmonizingn SixthsCombiningThirdsandFourthsCombiningMajor and Minor ThirdsDoubleStopswithSingleNotesDoubleStopswith BendsDoubleStopswith PedalPointsCHAPTER5: REPETITIVESEQUENCESOne-Measurehrasesutlinins &IVChordsTwo-Measure hrasesOne-MeasureariationsOne-Measuretring-Skipping ariationsoverI, IV,andVChordsTwo-MeasurePhrases ver & IV ChordsOne-String, ne-Measureariationsover , IV andVChordsTwo-Measureariationsver I, IV and VChordsRepetitiveouble-Stop icksRepetitiveOpen-StringicksCHAPTER6: CHROMATIC LICKSGUITARNOTATIONLEGEND45189l0llt1 t< I -' l516l1l8192021222222222323 LJ 21252l282929293030 3r 323339  Thetermc'hickenickin'describesstyleof playingoftenusedn(butnotimitedo)countrymusic,andplayedmostlyonaTelecaster-typeuitar.Thisstylewasirsrpopularizednthelftiesandsixtiesby playerssuchasJamesBurton,immyBryant.RoyNicholsMerleHaggarcl),ndDonRich(Buckowens).ntheseventiesndeighties,uitaristsikeAlbertLee,RayFlacke.i.rySkaggs.nclSteveWarinerookttoanotherevel'nthenineties.eheardexcitingnewdeasandplayingby singer/guitaristsuniorBrownandVinceGill,but youcan'talkaboutcountrychicken-pickin'nitreninetieswithouthenameofBrentMasoncomingup'Masonhasedeflnedhe possibilitiesndaisedhestandardso whichotherplayersrecom-pared'twillbeexcitingoseewhathisnextdecadeiltholdorthechicken-pickin,ommunity.Thisbookouchesnthebasicechniqueshatdefinehechicken-pickin'tyle.ncludedresomecalesthatcanhelpoinspireomenewdeas.endingsalsoveryrnportantnnailinghechicken-pickin,tyle.(Thinkaboutmulatinghesoundfapedalteeluitar.;p.n-rtringicks..uta flowing,cascadingsoundhatsusederyoftennthisstyleof playing.Double-stopicks-licksthatarepredominantlylayedwithtwonotesata time-arealsocovered.herepetitiveeqLlenccsregreatwarm-upexercises,utarealsoparticularlyff'ectivenoutliningchorclhanges.Thepurposefthisbooksto giveyouideasn whichvoLrr.rntocreateourownicks.hopehisbooknspiresoutoclclrcchicken-pickin'enre.expand.akehesedeasandchangeheml.urtherntoheexcitingndever-changing
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